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劇情簡(jiǎn)介
歡迎來(lái)到《拉莉薩》的在線播放頁(yè)面！這部劇情片作品由依萊姆·克里莫夫執(zhí)導(dǎo)，攜手依萊姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta等實(shí)力陣容傾情演繹，于1980年帶給觀眾別具一格的視聽(tīng)感受。如今，你可以在此一鍵開(kāi)啟精彩之旅。
關(guān)于本片更完整的劇情或幕后信息，可前往“詳情介紹”頁(yè)面查看A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.，深入了解角色命運(yùn)及創(chuàng)作歷程。
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