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從今天到明天

主演:未知

導(dǎo)演:達(dá)尼埃爾·于伊耶 讓-馬里·斯特勞布 

類型:喜劇 音樂 法國 1997 

時間:2024-11-02 02:11:20

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《從今天到明天》劇情介紹

達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布執(zhí)導(dǎo)、匯聚等優(yōu)秀演員陣容的從今天到明天,將1997 年度其它 語系與 法國 文化完美交融,帶來一場與眾不同的視覺和聽覺盛宴。

值得一提的是,該片在上映后迅速收獲了平均分更是高達(dá)4.0。這都印證了影片優(yōu)秀品質(zhì)與廣泛認(rèn)可度。

影片所呈現(xiàn)的Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a n僅僅是個引子,真正的故事魅力還需從Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.中細(xì)細(xì)品味——不論是扣人心弦的劇情設(shè)計,還是對于人性、情感、社會話題的探討,都給人留下頗為深刻的印象。同時,導(dǎo)演在幕后方面也注入了大量巧思,讓整部作品更加耐人尋味。

如果你對電影 或 喜劇,音樂 題材情有獨鐘,《從今天到明天》無疑是一個不容錯過的選擇。歡迎走進(jìn)它的世界,感受時長約的宏大篇章,在這里,你將邂逅驚喜、震撼與思考。

更多關(guān)于 等劇情亮點,敬請在 xijupian 圈層內(nèi)持續(xù)關(guān)注。讓我們共同見證這部佳作帶來的全新沖擊!

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